People of Color in European Art History


  1. afro-textured-art:

    Capital with Four Heads

    Date: ca. 1225–50

    Geography: Made in Apulia, probably Troia, Italy

    Culture: Italian

    Medium: Limestone from Apulia

    Dimensions: Overall: 14 1/8 x 13 x 13 in. (35.9 x 33 x 33 cm) Base: 7 3/4 in. (19.7 cm) Hole for Pin Mount: 9/16 x 2 3/16 in. (1.4 x 5.5 cm) weight: 108lb. (49kg)

    Four heads emerge from bunches of acanthus leaves to form the corners of this capital. One is a Moor with tightly curled hair. These heads, which may allude to the Nations of Man, are close in style to examples by Apulian sculptors working for the court of Emperor Frederick II Hohenstaufen

    Located at the Metropolitan Museum of Art

    Sources: [x] [x]

  2. medievalpoc:

Anonymous 
The Adoration of the Magi
Germany (c. 1450s)
Woodblock Print, 24.3 x 17 cm.
The Metropolitan Museum of Art

    medievalpoc:

    Anonymous

    The Adoration of the Magi

    Germany (c. 1450s)

    Woodblock Print, 24.3 x 17 cm.

    The Metropolitan Museum of Art

  3. Diversity in Writing

    elloellenoh:

    I did this post for Write on Com. Figured it would be worth sharing here also.

    Diversity in Writing

    by author Ellen Oh

    Recently, I was part of a conversation where an author said the following: “But there’s been a lot of anger from some quarters about “appropriation” and “exoticism” … I’m terrified of incurring the kind of wrath I’ve seen online, and have decided I’m not qualified to tackle diversity head on.”

    Guys, if this is you, then I want to talk to you about why it is okay to “tackle diversity.” If you are the type to say, “Yes, I want to include diversity! I just don’t know how.” I want to talk to you too, because there are right ways and wrong ways to do it. But mostly I want to tell you how important it is that you all are trying. Thank you for that. Because I was once that little girl scanning through the books desperately looking for someone like me, who wasn’t a stereotype. And now I have kids who are doing the same thing. Thank you for wanting to have this conversation.

    But if you are scared about being called out for including diversity in your book, then wake up and smell the diapers, children, because you are not going to be able to make everybody happy. Someone somewhere is going to be offended for something you wrote and for a reason that you never intended! You wrote a girl empowerment book? How dare you put down feminine girls! You wrote about sexual exploitation? How dare you write a slut shaming book! You wrote a POC main character? How dare you white person try and exploit minorities!

    Look, I’m Korean American and I wrote a fantasy book based in ancient Korea. I studied it for 10 years on top of all that I knew from being raised by Korean immigrants. And yet I had plenty of people bash me for getting things “wrong” about Korean culture in my book – and most of them weren’t even Korean! So the one thing I can promise you with absolute assurance is, someone somewhere is going to be irate at you for writing. Whether it is the fact that you wrote a POC character or the fact that you are posing in your author picture with a hand to your cheek, someone is going to hate you for something. Listen, you are not ever going to make everyone happy. That’s just human nature. I bet someone out there is reading this post right now and pissed off at me just because they don’t like my face. What can you do? You can start not caring about making everybody happy.

    Now writing about POC is a bit different in that most people are afraid of being called a racist. So they avoid diversity because of it. However, let me reassure you that by not including diversity, you are also being called a racist. Maybe not to your face, but you are. And guess what? Being called a racist is nowhere near as painful as dealing with actual racism.

    Now that I have freed you from the fear of being reviled on the internet, let’s talk about a few things that you need to keep in mind:

    1. Do your research and be respectful. Don’t culturally appropriate from POC and then claim that your world is different therefore you can do whatever the hell you want with it. Call your world whatever you want, but if your world looks and sounds like China, and you even use Chinese words and architecture and terms specific to that culture, then don’t pretend it’s not China and mix us up with every other Asian culture. It just reeks of sloppy research and not giving a damn. If you want your world to feel Asian without specifically calling out a specific country, it can be done – see Eon/Eona. See The Last Airbender series.
    2. Avoid stereotypes. There are many. The magical negro, the blonde bimbo, the smart Asian math whiz, the ghetto talking black kid, the feisty Latina, the Asian dragon lady, the cryptic but wise Native American, the uppercrusty WASP, etc. Using stereotypes is lazy writing. You don’t want to invest in your character’s development to go beyond an easily recognizable trope. Don’t do this.
    3. Exotification of another culture. “But remember, there are two ways to dehumanize someone: by dismissing them, and by idolizing them.” ? David Wong. I think the context of this quote was about women and how men view them. But it works well in this context also. If you don’t include POC in your book, you are dismissing them. If you do include POC but make them exotic and other-worldish, you are going the other way. Neither is acceptable.
    4. Check your privilege. Don’t get mad that I used the “P” word. I know privilege can be a touchy subject. Asking you to be aware of your privilege is not the same as calling you a racist. What I’m doing is asking you to be aware of it. If you are a female, then you know that male privilege is very real. Take what you understand as male privilege and make a correlation to white privilege and you will see what I mean. And if it helps, read this: http://ted.coe.wayne.edu/ele3600/mcintosh.html
    5. Reach out to minorities for help.  If you know nothing about the culture that you want to include in your book, then reach out for help. Yes, you can find a lot of information on the internet, but some things you can only learn from people who live that culture 24/7.

    It won’t be easy, and it shouldn’t be! You will probably make mistakes. And that’s ok! You’ll learn from them and you will fail less and less the more you try. But the most important thing is that you try. Because you are writing for kids. All our kids! And they need to see that their books can reflect their world.

    What I appreciate the most about this post is how it gels with the most recent convo about cultural appropriation I had. All too often I get asks that boil down to “How can I avoid, prevent, or circumvent people calling out my writing if it’s racist?”

    The answer is, obviously, you can’t. People will respond to what you write, and there’s nothing you can do about it. You can’t control that. And if that makes you uncomfortable, well, I’ll just reiterate: being called racist isn’t comparable to actually having to deal with racism.

  4. On being British

    mrsnerdynerdnerd:

    I was teaching at a Summer School this summer and one of my students told me he did not feel British, because he didn’t look British. He was black. That broke my heart a little. So I started questioning the kids on British history, and oh they fit in it and all the kids from ethnic minorities said they felt excluded from it. They felt their history only began with the end of the empire.

    They were wrong.

    I once thought the same thing.

    I was also wrong.

    It was thanks to medievalpoc that my eyes were opened. And my teaching, my research, my being, have changed so much because of that.

    I will never forget the expression on their faces as I told my students a different history than what they were told in schools. I reinforced that they are British, they have always been British and they are part of British history.

    And then I told them to start questioning what they are being told in schools, and to get on Tumblr and follow medievalpoc .

    I hope they did.

    I can’t even control my emotions right now. Honestly I am so humbled by this I am at a loss for words. Thank you.

  5. theodorasboudoir:

    belindapendragon:

    kbrand5333:

    steppauseturnpausepivotstepstep:

    medievalpoc:

    The Black Count is Being Adapted for a New Film!

    Tom Reiss’s The Black Count, which details the true story of Général Thomas Alexandre Dumas (father of author Alexandre Dumas), is being adapted into a film directed by Cary Fukunaga (director of HBO’s True Detective).

    No actors have been named so far, although some people are already speculating that Howard Charles may be considered for the lead. He’s known for playing the role of Porthos on the BBC’s Three Musketeers:

    image

    You can read a bit more about this story and hear an interview with the book’s author here at Indiewire.

    You can read an excerpt of The Black Count here.

    i dont like him for the part, but im jazzed for this movie.

    Adetomiwa Edun, please and thank you.

    Amen and Amen kbrand5333!!!!

    I second that motion kbrand5333!!!

    Adetomiwa Edun

  6. sourcedumal:

    note-a-bear:

    ooooooh

    OOOH LOOK AT THAT HISTORICAL ACCURACY THO

    In which fantasy fiction with characters of color is subjected to the “historical accuracy” test and comes out on top once again…

    (fyi this is the author of The Throne of the Crescent Moon, which has been featured for Fiction Week previously)

  7. medievalpoc:

    aboyoficeandfire reblogged your photo:
    Vampire

    I demand fanfic immediately*

    (context)

    image

    * Highlander fic will also be acceptable

    I have word via twitter that someone has risen to this challenge, and I swear to you I will be directing you to this fic once it’s online.

  8. Medievalpoc Presents: History of POC in Math and Science Week, 8-3-14 through 8-9-14!

    Medievalpoc’s first Patreon Milestone Goal has been reached, and the History of POC in Math and Science Week is happening soon! This all-new themed week will focus on the contribution of people of color to the fields of mathematics, science, physics, medicine, natural philosophy, and much, much more!

    There will be a focus on primary documents with interactive elements, visual and documentary evidence, innovators and their biographies, and notable personages of color from the Islamic Golden Age, Medieval Europe, African Empires and Universities, Asian images and texts, and discussion about early modern globalization regarding how this knowledge traveled.

    If you have an article, image, document, or commentary you would like to submit, here’s your chance to weigh in on this topic! Please use the “Math and Science Week” and any other relevant tags for your submission, and I look forward to hearing about your favorite mathematicians and scientists of color!

  9. Jamaican-Briton Porthos Actor Talks About “The Musketeers”

    nancymyanh submitted to medievalpoc:

    Jamaican-Briton Howard Charles plays Porthos in BBC America’s “The Musketeers.

    He based his own interpretation of Porthos on Alexander Dumas’ own half-African and half-French father who was one of Napoleon’s generals. Charles ‘was keenly aware that this was going to be a Porthos unlike any other, based on the fact that, one, I’m mixed-race and two, we weren’t going to create a fat, drunk gambler.’ He used the recent Pulitzer Prize biography of Gen. Alex Dumas, ‘The Black Count’ written by Tom Reiss, to ‘build my own character.’

    Source

    Thanks for the submission, some people were asking about the show.

  10. medievalpoc:

    After Giulio Romano

    Tapestry: History of Scipio; Battle of Zama, Defeat of Hannibal

    France; Gobelins (1688-89)

    Wool and Silk Threads.

    Musée du Louvre.

    [x] [x]